Ninety Goals, Seven Minutes: Lukaku, Van Bommel and Belgium's Quiet Handover
মূল উত্তর: বেলজিয়ামের Coach মার্ক ভান বমেল ফ্রান্স ও ইতালির বিপক্ষে রোমেলু লুকাকুকে প্রায় না খেলানোর কারণ হিসেবে দলের গোল থেকে দূরে খেলা এবং গতিনির্ভর আক্রমণের কথা বলেছেন। লুকাকু চলতি মৌসুমে ফেনারবাহচের হয়ে গোল বা অ্যাসিস্টহীন, আর তার চুক্তি চলতি মৌসুমের শেষ পর্যন্ত, সঙ্গে ক্লাবের এক বছরের অপশন। মূল তথ্য: - রোমেলু লুকাকুর International গোল ৯৩, বেলজিয়ামের সর্বোচ্চ; কেভিন ডে ব্রুইনের ৩৮। - ইতালির বিপক্ষে লুকাকু ৮৭তম মিনিটে নামেন; ফ্রান্সের বিপক্ষে তার মিনিট শূন্য। - Coach মার্ক ভান বমেল ইতালি ও ফ্রান্স দুই ম্যাচেই চার্লস ডে কেটেলারেকে শুরু করান। - ফেনারবাহচে চুক্তি চলতি মৌসুমের শেষ পর্যন্ত, সঙ্গে ক্লাবের এক বছরের বর্ধিতকরণের অপশন। - চলতি মৌসুমে লুকাকুর গোল ও অ্যাসিস্ট — দুটোই শূন্য। সূত্র: Goal.com (মূল উদ্ধৃতি Sporza), প্রকাশকাল: ৬ ফেব্রুয়ারি ২০২৬। সম্পর্কিত প্রশ্নোত্তর: প্রশ্ন: লুকাকু কেন বেঞ্চে? উত্তর: Coachের মতে দল গোল থেকে দূরে খেলছিল, তাই গতিনির্ভর ফরোয়ার্ড অগ্রাধিকার পেয়েছেন। প্রশ্ন: লুকাকুর চুক্তির Status কী? উত্তর: ফেনারবাহচের সঙ্গে চুক্তি চলতি মৌসুমের শেষ পর্যন্ত, সঙ্গে ক্লাবের এক বছরের বর্ধিতকরণের অপশন। প্রশ্ন: পরের ম্যাচটি কেন গুরুত্বপূর্ণ? উত্তর: তুরস্কের বিপক্ষে ম্যাচে লুকাকুর Role স্পষ্ট হবে, কারণ তিনি তুর্কি Leagueেই ক্লাব-Football খেলেন।
Last Friday, a little before midnight, I was sitting in a tea stall in Rangpur listening to a voice note. It came from Sohel, thirty-three, who has followed Belgium for close to a decade. The message ran forty seconds. There was no statistic in it, only a question: “Against Italy they sent him on in the eighty-seventh minute; against France he just sat there. Is he not the same Lukaku anymore, or is the coach working from a different sheet?”
Sohel's question is really the question of the entire European press. Romelu Lukaku's international tally is 93 goals, the highest in Belgium's history. The closest active player, Kevin De Bruyne, has 38. And against France, Lukaku's minutes were zero. This piece is about that zero — but not about a number; about a career sitting on a bench.
Mark van Bommel's press conference was spent almost entirely on Lukaku. Goal.com's report carries the quotes from Sporza. The coach's explanation: “We were a little further away from goal, which meant we could use pace.” The sentence is short, but it holds Belgium's current way of playing. Against opponents like France and Italy they were not playing a territory-dominating game; they were playing a stretched, mid-to-long-range game. In that state, a runner in behind is worth more than a slow build-up target-man.
Belgium is now in the final phase of its golden generation. Lukaku is 33. At Fenerbahçe he has yet to register a goal or an assist this season. His contract runs to the end of the season, with a one-year extension option held by the club. In the UEFA Nations League window, Charles De Ketelaere started as the centre-forward in two consecutive matches against Italy and France; against France, Matías Fernández-Pardo was preferred as the substitute. The next fixture is against Turkey — the league where Lukaku now plays his club football.
Belgium sits in the second tier of European national teams — the band after France, Spain, England and Italy, alongside the Netherlands, Portugal and Germany. Their resource base is historically strong; Lukaku's 93 and De Bruyne's 38 are proof. But the ageing-core risk is high too — Lukaku at 33, De Bruyne's career also in its late stage. Compared with teams now building a new generation, Belgium stands later in its cycle. Look at De Ketelaere and Fernández-Pardo and it becomes clear the federation is deliberately introducing new blood in attack.

My years of watching matches tell me that dropping a striker at national-team level is never a single-match decision. It is the product of a sustained reading — and when the coach says that reading out loud, his word choice is the biggest clue.
Van Bommel's statement breaks into two layers. The first is style of play. When Belgium plays far from goal, what it needs is not hold-up support but a run in behind. Lukaku's strength lies elsewhere — chesting the ball down, backing a defender to make space, being present in the box. De Ketelaere is less powerful in that role, but he plays with speed, with pressing, in space. The coach's word for it is “pace” — and in two consecutive big matches that preference was enacted.
The second layer is harsher. If a player is not playing much at Fenerbahçe, the national coach has very few cards in hand. Van Bommel himself admitted, “the only drawback is that he is not playing much at Fenerbahçe.” When club form and international role decay at once, each sharpens the other.
The change in the starting XI is the real signal. Italy and France — two different types of opponent, yet De Ketelaere as centre-forward in both. In the substitution order, Fernández-Pardo is ahead too. The pecking order in the front line has quietly inverted; Lukaku is no longer the automatic first choice in the coach's match plan. Two matches is a small sample, true — but the direction the decision points in is not ambiguous.
The language of the press conference is telling. The coach said, “It is absolutely not the case that Romelu cannot come on — quite the opposite.” He said he talks a great deal with Romelu, that he went to see him in Istanbul, that he feels good and at ease, and that “you do not need to look for anything major behind it.” The evidence on the pitch says otherwise: zero minutes against France, seven against Italy. This is a reputational shield, not a tactical commitment. When a coach says “quite the opposite” in the face of a clear non-selection, he is protecting a player's image — and that is necessary work. But protecting an image and guaranteeing a place are not the same thing.
One more thing stands out: a press conference spent almost entirely on one player means the match is no longer the centre of the story. When a coach is forced to keep explaining, the story is out of his control — it is being driven by one player's brand equity.

May 2026 taught me that silence can score, and that an empty stand can be a full stadium. This season, exactly such an absence is opening in Belgium's attack — not an accident, a deliberate choice.
The media's favourite frame is easy: “the coach versus the iconic striker.” I think that frame is the biggest blind spot. The real story is not in the press conference; it is in the contract paper. A transfer is not a spreadsheet; a transfer is an earthquake — with agents, with tears, with midnight phone calls.
The one-year option in Fenerbahçe's hands is unilateral, not the player's. That means the weight of risk has shifted toward the player. At 33, in a season of zero goals and assists, a short contract like this means a continuously depreciating asset. Even if form returns, he can no longer command a big fee; the realistic best outcome is a free or cheap transfer, or a modest extension.
The second blind spot: the “pace versus target-man” debate is not that simple. Football in behind only works when there is space in behind. Against a deep block that space disappears — and without a body-based reference in the box, the attack jams. Belgium has not yet been tested on this, and nobody knows what happens when it is.
The third is the single-point dependency. 93 against 38 — that gap is not only about records, it is about risk. In the Lukaku era, Belgium's goalscoring identity was concentrated in one man. De Ketelaere and Fernández-Pardo have not yet proven that output. Before removing the old trust, you need proof of the new — otherwise a handover does not become an inheritance; it becomes a void.
The Turkey fixture is therefore a small mirror. Against the country whose league Lukaku now plays in, his international future may be decided — pace or body, the choice will be made plain on the pitch.
I do not know the answer to Sohel's question. I do not know whether Lukaku will accept a rotation role, or whether this quiet removal is the last page of his international chapter. I do not know whether Fenerbahçe will take up the option. What nobody has said yet is what Lukaku himself is saying, inside the room.
A pitch becomes a poem when you listen to the people who never touch the ball. Today, the man who touches the ball is sitting in silence.
